Carriageworks did everything right but was struggling even in regular conditions. Now the organisation's troubles are emblematic of an arts sector on the edge – but there might be a brighter future.
Australia's three major summer festivals in Sydney, Perth and Adelaide give an interesting insight into how festival programming is changing – or not.
Debates about the place of the monologue in theatre fall away when you have a show as compassionate and funny as The Weekend.
Deer Woman, written, directed, designed, composed, stage managed and performed by First Nations artists from Canada, is anchored by a solo performance of fierce skill, focus and precision.
Four generations, three languages and multiple cultural and theatrical traditions combine to great effect in the Sydney Festival production My Name Is Jimi, writes Caroline Wake.
Belvoir's production of Barbara and the Camp Dogs is a timely reminder of the need for all Australians to listen to Indigenous voices, writes Caroline Wake.