Life-size robots interacted with guests at the launch of Australasia’s first cross-disciplinary robotics laboratory at the College of Fine Arts. VIDEO
Iconic images of Gough Whitlam’s 1973 visit to China and his groundbreaking links with Indigenous Australia form the basis of COFA's Making Change exhibition.
Dominated by women and colour, the Art Gallery of NSW's latest exhibition displays the kind of art once regarded by the establishment as too decorative, writes Joanna Mendelssohn.
The challenge for art and design schools is to prepare students for a world that does not yet exist and for jobs that have not yet been created, writes Ross Harley.
Is the Vivid festival just about light and colour and bling, or is it also about ideas and images that challenge us, asks Phillip George.
The International Symposium on Electronic Art, co-chaired by new COFA Dean Professor Ross Harley, shows that digital art is a pervasive force.
VIVID Sydney comes to UNSW this weekend as a festival of performance and ideas focusing on artistic collaboration.
There exist several barriers that prevent women from taking senior leadership posts in arts organisations, and the most significant is child-rearing, writes Joanna Mendelssohn.
Dream, believe, create, succeed – rap artist, documentary maker and COFA alumnus Macario De Souza’s advice to UNSW’s latest group of ASPIRE students.
COFA graduate Del Kathryn Barton has won the Archibald for her portrait of actor Hugo Weaving, the second time she has won the prestigious prize.