The 22nd Biennale of Sydney is testament to the capacity of art and exhibitions to move beyond reflection to lead dialogue, especially at times of crisis and cancellations.
Australian artists are protesting the Adani mine's potential impact on the black-throated finch. The project is gaining traction online, but in this case, emotive art might not be enough.
Recent criticisms of Cloud Arch attack the design yet are founded on a culturally entrenched, mean-spirited attitude to public art, writes Felicity Fenner.
A celebration of the historic Gurindji Walk-Off and an exploration of how 3D models can communicate human experience are the subjects of two powerful exhibitions opening at UNSW Galleries.
