Set in Ukraine in 2014, Solntsepyok’s propaganda is designed to confuse, entertain and overwhelm the audience.
The British Film Festival offers much to please audiences – but how connected is it to the Brit diaspora, asks Greg Dolgopolov.
Sydney's inaugural Intercultural Film Festival risks collapsing into irrelevance unless it gets the organisational basics right and defines its stories of multiculturalism, writes Greg Dolgopolov.
