School of the Arts and Media

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A brand new theatre and performance venue will be named the Esme Timbery Creative Practice Lab after the renowned shell artist and Bidjigal elder.

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“If you are into horror, then go ahead, try it out,” was the invitation to visitors at the Bodies and Interfaces exhibition at UNSW.

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80-year-old Elizabeth Dalman was "born to dance". Now she's exploring the next phase of her career ahead of her induction to dancing's Hall of Fame.

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Singer, songwriter and sound artist Miriama Young is spearheading a new discipline in Sonic Arts at UNSW.

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The opening ceremony of the Sochi Winter Olympics was a summary of the Putin era: new media and classicism combined to celebrate nationalism, pride and a symbolic resurrection of Empire, argues Greg Dolgopolov.

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Major app developers make enormous sums from basic and derivative games, so why shouldn’t independent game makers like the creator of Flappy Bird do the same, asks Thomas Apperley. 

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Console games are no longer banned in China, opening up a huge market for manufacturers. But can they succeed in a culture where consumers are used to getting their software and games for free, asks Thomas Apperley. 

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Tropfest is one of the most prestigious awards available to up-and-coming short filmmakers. And on Sunday it was awarded to a gross-out film that has offended and alienated many in its target audience, writes Greg Dolgopolov. 

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The British Film Festival offers much to please audiences – but how connected is it to the Brit diaspora, asks Greg Dolgopolov. 

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We need a total turn-around in the way we approach the film industry: we need to put distribution and exhibition at the forefront of our policies and our approach to attracting and developing audiences, argues Lauren Carroll Harris. 

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