A new biography of Jean Rhys, the Dominican-born author of Wide Sargasso Sea, pays close attention to her origins – but stops short of examining the colonial relations central to her story.
Kate Grenville suggests we read Elizabeth Macarthur’s letters as ‘a wonderful piece of fiction, sustained over sixty years’. They were exercises in doubleness, concealment, and delicious irony.
UNSW Arts, Design & Architecture stories explored a range of ideas, from purpose-built quarantine facilities to whether artificial intelligence could create art.
