Belvoir St Theatre's production of Twelfth Night starring Keith Robinson in a wheelchair offers radical potential in cross-mobility casting – but Belvoir doesn't quite get there, writes Bryoni Trezise.
Geoffrey Rush gives us a fluid, soulful performance as King Lear, as well as a few hints on how to deal with relatives, in the Sydney Theatre Company's current production, writes Anna Kamaralli.
Jean Cocteau’s 1930 monodrama, La Voix Humaine, is melodramatic enough – but the play is toughened theatrically because the audience hears only one half of the conversation, writes Julian Murphet.
Some of Australia’s leading Indigenous actors, writers and directors have been remembered in an exhibition curated by COFA’s Tess Allas for the Sydney Festival.
