First staged in 2008, Shane Warne: The Musical is an overwhelmingly faithful rendering of Warne’s life, staging both his triumphs and his downfalls.
Making art is another way children can find contentment in isolation.
Amateur online performances will help us stay connected in isolation, says UNSW Sydney academic.
Written by a former lawyer, a new play presents a forceful critique of the Australian legal system's treatment of sexual assault.
Debates about the place of the monologue in theatre fall away when you have a show as compassionate and funny as The Weekend.
Deer Woman, written, directed, designed, composed, stage managed and performed by First Nations artists from Canada, is anchored by a solo performance of fierce skill, focus and precision.
In the Sydney Theatre Company's premiere production, white guilt festers as part of the shame, the ongoing, percolating wound that is the plot-space of contemporary colonisation, writes Bryoni Trezise.
Four generations, three languages and multiple cultural and theatrical traditions combine to great effect in the Sydney Festival production My Name Is Jimi, writes Caroline Wake.
Elizabeth Le Compte's stage production of The Town Hall Affair reworks a signature moment in the history of the Women's Liberation Movement, writes Bryoni Trezise.
Belvoir's production of Barbara and the Camp Dogs is a timely reminder of the need for all Australians to listen to Indigenous voices, writes Caroline Wake.