Deer Woman, written, directed, designed, composed, stage managed and performed by First Nations artists from Canada, is anchored by a solo performance of fierce skill, focus and precision.
In the Sydney Theatre Company's premiere production, white guilt festers as part of the shame, the ongoing, percolating wound that is the plot-space of contemporary colonisation, writes Bryoni Trezise.
Four generations, three languages and multiple cultural and theatrical traditions combine to great effect in the Sydney Festival production My Name Is Jimi, writes Caroline Wake.
Elizabeth Le Compte's stage production of The Town Hall Affair reworks a signature moment in the history of the Women's Liberation Movement, writes Bryoni Trezise.
Belvoir's production of Barbara and the Camp Dogs is a timely reminder of the need for all Australians to listen to Indigenous voices, writes Caroline Wake.
