Traditional ochre markings that adorned Eora men in the late 1700s have inspired Brenda L Croft’s ‘Sea of Hands’ installation at Barangaroo Headland.
A "painfully beautiful and unlovely" exhibition exploring the human experience of illness, disease and ultimately death is opening at UNSW Galleries.
Modified and ‘polished’ images may not represent scientific discoveries purely, but they are as close to the truth as we know, writes Kate Patterson.
A luminous kind of sea creature in the guise of a piece of public furniture has washed up on the water’s edge at Walsh Bay for Sydney's Vivid Festival.
This year marks the largest UNSW presence at Sydney’s Vivid Festival with a “kitsch Love-O-Meter” designed by UNSW students taking centre-stage as one of the Festival’s most popular installations.
Three ‘sonic wells’ connecting Sydney, New Zealand and Turkey reaffirm the bonds between the two Anzac nations and their former adversary in the lead-up to Anzac Day.
My personal relationship with Virtual Reality technology has progressed at lightning speed. And while I love viewing content in VR, it is the research challenges I find the most exciting, writes Kate Patterson.
A world-first centre at UNSW Art & Design is helping medical scientists visualise disease, bone by bone and platelet by platelet.
Paul Thomas’ spinning interpretation of quantum computing is featured on the March cover of the prestigious journal Nature Nanotechnology.
It is the combination of immigrant identity, sexual awakening and creative imagination that makes Yang a major figure in Australian art, writes Prudence Gibson.