A new biography of Jean Rhys, the Dominican-born author of Wide Sargasso Sea, pays close attention to her origins – but stops short of examining the colonial relations central to her story.
Kate Grenville suggests we read Elizabeth Macarthur’s letters as ‘a wonderful piece of fiction, sustained over sixty years’. They were exercises in doubleness, concealment, and delicious irony.
With culture at its heart, First Peoples’ creative collaboration can transform communities.
Grace Tame joins UNSW academics Kyllie Cripps, Michael Salter and Emma A. Jane for a UNSW Centre for Ideas panel discussion.
An artist-focused research collaboration aims to develop protocols for engaging with choreographic works in art institutions.
UNSW Arts, Design & Architecture stories explored a range of ideas, from purpose-built quarantine facilities to whether artificial intelligence could create art.
Ian Whitney to write two works as part of chamber music group’s outreach program.
The prize rewards composition at a national standard, and the 2019 winner, Brooke Green, was inspired by an issue of national importance.
Contrary to claims that cyberhate is mostly innocuous because it’s ‘virtual’, the widespread suffering caused to women can be significant, says UNSW Senior Lecturer Dr Emma A. Jane.
The first UNSWriting event of 2018 features Ceridwen Dovey discussing her acclaimed new novel In the Garden of Fugitives.