This year marks the largest UNSW presence at Sydney’s Vivid Festival with a “kitsch Love-O-Meter” designed by UNSW students taking centre-stage as one of the Festival’s most popular installations.
Three ‘sonic wells’ connecting Sydney, New Zealand and Turkey reaffirm the bonds between the two Anzac nations and their former adversary in the lead-up to Anzac Day.
My personal relationship with Virtual Reality technology has progressed at lightning speed. And while I love viewing content in VR, it is the research challenges I find the most exciting, writes Kate Patterson.
A world-first centre at UNSW Art & Design is helping medical scientists visualise disease, bone by bone and platelet by platelet.
Paul Thomas’ spinning interpretation of quantum computing is featured on the March cover of the prestigious journal Nature Nanotechnology.
It is the combination of immigrant identity, sexual awakening and creative imagination that makes Yang a major figure in Australian art, writes Prudence Gibson.
Biomedically-trained artists are a growing group of practitioners globally who can enable cross-disciplinary conversations, writes Kate Patterson.
Visitors to one of India’s most iconic museums are lying down and looking up to experience high-resolution images of Mumbai’s spectacular heritage ceilings, as part of an immersive, 3D exhibition.
The automation of artistic creativity could be the next frontier in artificial intelligence, writes Oliver Bown.
Simon McIntyre’s commitment to “closing the digital literacy gap” with his innovative use of mobile technologies has won him a national Teaching Excellence Award.