Philanthropist and White Rabbit Gallery founder Judith Neilson has made her second major donation to UNSW with the announcement of The Judith Neilson Chair in Contemporary Art.
A 3x3 metre boulder activated by a rock-climbing performance and wearable perfume bottles filled with anxiety reducing oils are just some of the works in this year’s UNSW Art & Design graduating exhibition.
An innovative professional experience program connecting arts students with companies like Macquarie Bank, Artspace and Hello Social is transforming the traditional internship.
We tend to throw away broken things, but the Japanese art of kintsugi – repairing broken ceramics with gold and silver – can give us a different perspective on waste, writes Guy Keulemans.
The Maralinga atomic tests were devastating to life and land in Central Australia. Black Mist Burnt Country brings together dozens of artistic responses in a powerful, but somewhat incoherent memorial, writes Joanna Mendelssohn.
A computerised headdress, a garment that breathes in response to air quality … Tricia Flanagan blends technology and clothing to push the envelope of everyday life.
I like deadlines and deliverables. They punctuate my projects and force me to package my work into consumable chunks that are necessary for sharing and showing my work, writes Kate Patterson.
When Mike Parr lay supine before Jackson Pollock's Blue Poles, streaked with his own blood, he offered a new way of looking at the act of painting, writes Edward Scheer.
